Wednesday, February 20, 2019

Thursday, February 21: RAD! Residencies (Part 3) with Will Alexander





















Doors 7:30pm
Event 8pm

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On Thursday, February 21st, Will Alexander concludes his RAD! Residency at the Poetic Research Bureau with a collaborative community discussion and snacks!

We would like to invite anyone who is interested to write a brief response to Will’s Residency theme, and then bring their response to the Poetic Research Bureau on the 21st for informal presentation, discussion, and snacks.

Will’s theme: “Language As Interior Alchemical Archery”

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Hosted by Andrea Quaid & Harold Abramowitz

With generous support from the CalArts Alumnx Council Seed Grant

Monday, February 18, 2019

Tuesday, February 19: J. Gordon Faylor & Lily Bartle











SPECIAL TUESDAY NIGHT EVENT

The Poetic Research Bureau presents...

J. GORDON FAYLOR
& LILY BARTLE

Tuesday, February 19

Doors 7:30pm
Reading 8pm

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J. Gordon Faylor is the author of Registration Caspar (Ugly Duckling Presse), Plummet (TROLL THREAD), and four volumes of Christmas poems in collaboration with Brandon Brown. He edits Gauss PDF and is managing editor of SFMOMA's Open Space.

Lily Bartle is a poet and editor from New York City. She is the founder of Hole, Earth, Catalog and has a forthcoming publication from Gauss PDF. Her phone number is 646 264 8339

Wednesday, February 13, 2019

Friday, February 15: Kristen E. Nelson's The Length of This Gap Tour
















Kristen E. Nelson is taking her new collection of poetry, the length of this gap, on the road.

with
KRISTEN E. NELSON
SAMANTHA BOUNKEUA
SAM COHEN
BERNADETTE MCCOMISH
WENDY C. ORTIZ

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Doors 7:30pm
Reading 8pm

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Praise for "the length":

One of the most powerful, breathtaking bodies of poetry fortifying the will to survive. I am an enormous fan of Kristen Nelson’s poems and am always excitedly anticipating the next poem showing me the better parts of our species and how to love and thrive! —CA Conrad

In the length of this gap, Kristen E. Nelson does the trembling work we so often try to avoid. Here she makes eye contact with the abyss – seeking to understand how we metamorphose in the moment of (and days, weeks, years following) inexplicable loss. This is a book of great courage, striving to put the world back together with long lists of what now is and can become. How thankful I am to have her and her work as my guide – she who dares to “wish to go back and walk through the wasps,” and returns full of “love and love with some commas.”—tc tolbert

Death is not always tragedy, but then again, neither is love – its encounter, its ennui, its wound. Kristen Nelson’s the length of this gap revels in passionate ambivalence, gliding between emotions without netted hearts to catch her fall. Oh foolish bravery! Sorrow becomes lust and lust becomes abandonment, and Nelson makes me want to be bolder, hotter, sexier – and I crave. These poems persuade my addiction. —Lily Hoang


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Kristen E. Nelson is a queer writer, performer, activist, and community builder. She is the author of the length of this gap (Damaged Goods, August 2018) and two chapbooks: sometimes I gets lost and is grateful for noises in the dark (Dancing Girl, 2017) and Write, Dad (Unthinkable Creatures, 2012). Kristen is the founder of Casa Libre en la Solana, a non-profit writing center in Tucson, Arizona, where she worked as the Executive Director for 14 years. www.kristenenelson.com

Classical violinist gone rogue, SAMANTHA BOUNKEUA is a queer experimental musician, composer and artistic collaborator specializing in non-traditional violin performance. She’s performed internationally as a guest artist with the Southern Arizona Symphony, New Mexico Symphony, Oberlin Contemporary Music Ensemble, Britten-Pears New Music Festival, Festival de Opera San Luis, the Rogue Theatre and more. She appears regularly with Tucson, Arizona music projects including ChamberLab, Two-Door Hatchback, Jimmy Carr & the Awkward Moments. To find out more, visit www.samanthabounkeua.com.

Sam Cohen’s writing is in Delirious Hem, Sidebrow, Pank, Black Clock, Joyland, Gaga Stigmata, RECAPS, and elsewhere. Her chapbook Gossip was published by Birds of Lace Press in 2013. She has an MFA from CalArts and lives in Los Angeles.

Born during a blizzard in New York with the gifts of premonition, and manifestation, Bernadette McComish is a fortuneteller and a medium. Her father was an extraterrestrial from the future that traveled back in time, and impregnated her mother in an astral field of honeysuckle. When she writes, her words become reality, and she’s been known to turn lovers into goldfish with a sonnet, and speak directly with shades of drag queens. To her, all people are just a john, regardless if they are a woman, a ghost, or the president…especially if they're the president. She earned an M.F.A. in Poetry from Sarah Lawrence, and an M.A. in Teaching English as a Second Language from Hunter College. Her poetry has appeared in The Cortland Review, Sunday Salon, Hospital Drive, Slipstream, Storyscape, Rag Queen Periodical, Flapper House, DeLuge, and New Millennium Writers. She performs and tours with the Poetry Brothel and Poetry Society of New York curing one human at a time with words and glitter. She also teaches High School in Los Angeles.

Wendy C. Ortiz is a Los Angeles native. She is the author of Excavation: A Memoir (Future Tense Books, 2014), Hollywood Notebook (Writ Large Press, 2015), and the dreamoir Bruja (CCM). In 2016 Bustle named her one of “9 Women Writers Who Are Breaking New Nonfiction Territory.” Her work has been featured in the Los Angeles Times, The Rumpus, the Los Angeles Review of Books, and the National Book Critics Circle Small Press Spotlight blog. Her writing has appeared in such venues as The New York Times, Joyland, StoryQuarterly, and a year-long series appeared at McSweeney’s Internet Tendency. Most recently her “Urban Liminal” series of texts appear alongside signature graphic representations of the projects of Lorcan O’Herlihy Architects in the book Amplified Urbanism (2017). Wendy is a psychotherapist in private practice in Los Angeles.





Tuesday, February 5, 2019

Friday, February 8: Steve Benson, Jermane Cooper, Suzanne Stein











The Poetic Research Bureau presents...

Suzanne Stein and Steve Benson, reading and performing together, and celebrating the GaussPDF release of DO YOUR OWN DAMN LAUNDRY, which documents the 36 improvisational dialogues they performed together in 2011-2012. Accompanying them will be poet Jermane Cooper.

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STEVE BENSON
JERMANE COOPER
& SUZANNE STEIN

Friday, February 8 2019

Doors 7:30pm
Reading 8pm

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Steve Benson has written in various modes and media under the sign of poetry, most often orally and textually, since 1966. He has lived in downeast Maine since 1996, where he’s worked as a clinical psychologist in a small town. His poetry readings have often incorporated diverse media, improvisation, and collaboration with brilliant, radical writers, musicians, and filmmakers. Benson acted in the late 1970s Poets’ Theater in San Francisco, directed Carla Harryman’s play La Quotidienne at New Langton Arts in 1983, and held a poets theater workshop at Intersection for the Arts in 1992. He wrote and transcribed (from orally improvised performances) the material in Blindspots (1981), Blue Book (1988), Open Clothes (2005), and other books. What This Is is forthcoming from chax press. Benson co-authored the Grand Piano series of autobiographical essays (2006-10) with nine old friends. He and Suzanne Stein partnered in a series of 36 improvised on-line messaging chat performances in 2011 and 2012, appearing as a book this month from Gauss.pdf as DO YOUR OWN DAMN LAUNDRY. They also created a half-hour film, NOW, for the Third Annual Festival of Poets Theater in December 2017. Benson shares links to work products on-line through http://www.stevebensonasis.com/.

As an African American military brat growing up around the U.S., Jermane Cooper did not often think about heritage or culture. Only when diverse populations and college-level coursework broadened his horizons did he realize that a significant part of who he was had turned up missing. Jermane’s work explores common issues, often portrayed through fantastical elements. It stresses the ideals that should be a part of every culture, such as acceptance, honor, and compassion, as well as concepts of what ‘could be’ regarding himself and the world. His work can be found online at Timbooktu.com under the pen name ‘Tyiako’, or his blog at wordsmithshelf.blogspot.com.

Suzanne Stein’s poetry publications and performance documents include The Kim Game, TOUT VA BIEN, and Passenger Ship; her book-length poem New Sutras is forthcoming this spring. With the poet Steve Benson, she is the author of DO YOUR OWN DAMN LAUNDRY, just released from GaussPDF, which documents the 36 improvisational dialogues they performed together between 2011 and 2012. Essays and poems have appeared recently in The Best American Experimental Writing, Elderly, and Open Space; performance recordings are archived at PennSound. Suzanne is also a publisher, editor, and curator. She was the founding editor, and for eight years editor-in-chief, of Open Space, the San Francisco Museum of Modern Art’s hybrid art and language platform and publication. Her chapbook press TAXT was formed in 2005 to distribute the work of Bay Area writers and artists then under-represented in print. In the mid-90s she was the co-director and film curator of a little gallery called {four walls, in San Francisco.